SIBELIUS, Jean

Concerto for violin and orchestra in D minor op. 47 (violin and piano reduction)

II. Adagio di molto

Lorin Maazel, guest professor

Julen Zelaia Zia, student

Alina Artemyeva, accompanying pianist

General considerations about bowing: comments about position, inclination and contact point. It is better to combine bow pressure with finger pressure on each note in a specific passage.
Also prof. Maazel gives some indications about bowing use in lyrical passages.

Language: English