BEETHOVEN, Ludwig van

Symphony no. 7 in A major op 92

IV. Allegro con brio

Víctor Pablo Pérez, guest conductor

Orquesta Sinfónica Freixenet de la Escuela Superior de Música Reina Sofía

At the beginning of the movement, Maestro Víctor Pablo corrects the dynamics in trumpets. The problem in this movement is the clarity of the rhythmic figuration in the first violins. He also gives a very important indication: we can play with a lot of internal energy but not desperately without hearing anything, we must play with more head and control. So, the double basses must also be aware of the sound balance, playing with internal power but not playing “rude” outwards. The Maestro makes several corrections of articulation in brass and timpani. At the end, he talks about character, saying that it is important to maintain the strength and impulse in powerful passages.

Language: Spanish